Category: Album Review

  • Nelson Comes To Visit by SuperDestroyer//Leave Nelson B

    Nelson Comes To Visit by SuperDestroyer//Leave Nelson B

    Album: Nelson Comes To Visit

    Artist: Superdestroyer//Leave Nelson B

    Released: August 23, 2024; Lonely Ghost Records

    I am going to be honest with you all. This is not a review I planned to write. Life is funny like that and sometimes, unexpected things happen when you least expect it. That is exactly what happened a couple weeks ago when a promotion post came across my socials making a joke about Hall and Oats if Hall was cool. That joke was enough to get me to check out the album. The album of course was “Nelson Comes To Visit” by Surrealist punk act, Superdestroyer and Leave Nelson B. Ever since then, I have been low key obsessed….. no wait I suppose now that I am publicly writing about it the obsession has leveled up to high key. I am not really writing this review because I want too; I am doing it because I desperately need to talk about this album with someone, and my friends and family have stopped returning my texts and phone calls.

    The thing that makes this album special is its big picture take on it’s sound, theme, and aesthetics. Everything from the music, art, and in the case of the special release, “green hill” variant even physical product work together to invoke a sense of nostalgia that almost transcends reality. “Nelson Comes to Visit” is an album that must be experienced as a whole package. I’m not just talking about a beginning to end listening session, though you definitely should do that. Each track comes with an unique piece of art that is reminiscent of early 90s JRPGs. This art really helps set the mood for the track and helps tell the story. This makes listening to the album on Soundcloud the optimal digital experience in my opinion, since each track is set to showcase the corresponding art. Something I assume Spotify can’t do. Of course, the absolute best whole package experience is the physical “green hill” variant that is a mock up of a SEGA cartridge and comes complete with an art and lyrics book. It is honestly something that is profoundly cool. So if you have a chance to pick one up, you should.

    It is quite hard to pick a selection of songs to talk about as they all are super cool, but alas that is a task I’ve given myself, so I will start with the first song on the album. “Start Screen” does a great job setting up the vibes and expectations. Like the rest of the album, it is a chiptune synthy bop with a great beat. It is the definition of what it says it is on the tin; 34 seconds that gets you jazzed up and excited for the adventure you are about to partake in.

    My favorite song on the album is “Snow” a song that crafts atmosphere as if it were trying to terraform Mars. The synth melody and the whirl sounds that opens the track all coalesce into making you feel encapsulated in a snow storm. The lyrics speak of falling in love and really pull together a metaphor of being encapsulated in love much is like a snow storm. It’s a feeling of eerily peacefulness with a hint of danger.

    There is as a pretty cool guitar bit in “Halloween City” that I think bares mentioning. The music is up beat and there is an effect used throughout that I’m not sure what it actually is but it reminds me of a duck and it’s pretty cool. The message of the song is also great and is about finding a person that sees you for who you actually are despite the ‘mask” you wear and more importantly they have always accepted you for your real you.

    Nelson Comes to Visit is such a unique and innovative take on electronic music and 90s nostalgia that it is hard not to stand mouth agape in awe while listening. It is a true magnum opus in how it executes its music, themes, and aesthetics. I bet that Superdestroyer continues to deliver amazing music, but it is honestly hard for me to imagine something this cool happening more than once in my lifetime. Anyway, thanks for indulging me, I’m off to fire up my Switch and play Earthbound while listening this album at max volume.

    This Review was originally posted on December 06, 2024 on the former LFDH substack.

  • Addictive Little Sounds by Voluntary Hazing

    Addictive Little Sounds by Voluntary Hazing

    Artist: Voluntary Hazing

    Album: Addictive Little Sounds

    Released: July 29, 2024; Self Release

    Voluntary Hazing from The Bay Area of California* is a 12 piece ska pop-punk band that I have been following for several years now. The wait for their debut album has been a long but exciting one. Each single released made me more and more stoked. I waited with bated breath for their first full album released and earlier this year they delivered big time.

    The album as a whole does a really good job showcasing the quirky humor and often eclectic sound of the band. If I had to pick one single song that embodies this, I would have to go with, “You Maybe Entitled to Compensation”. It has one of the most meta intros to a song I have ever heard. Seriously, it’s hard not to smile whenever it comes on. Then, the rest of the song is an instrumental piece that really lets you know that this band can rip on their tools of the trade. You name it, this song probably has it. Killer bass line? Check. Horns that somehow manage to sound swanky and imposing at different parts of the song? Check. An absolutely insane guitar bit that does things with a Wah-Wah pedal that seem inhuman to me? Check. Seriously, I’m in awe. Then to cap it all off you have a voice over outro that lamps shades the joke that is the band’s name in a cheeky way.

    Phone Tag” is a horn driven anthem for those of us who have ever had to ghost that one person in our lives that just could not take the hint. It doesn’t have the angry break-up energy of a certain famous phone tag themed 90s ska hit, but instead, offers up vibes of exasperation and near exhaustion, which is just so relatable in this day and age.

    Then there is “Professional Offended” an in your face rock bop with jazzy elements that is a critique of social media and the grifters that frequently stir up controversy for fun and profit. I really like the message of the song and choosing to write lyrics from the POV of a grifter is a fun choice that allows them to showcase how little these types of people care about the things they claim. It’s a great song.

    Last, is my personal favorite song on the album,“Literal Rockstar”. This song comes packing the Doo-Wop sound and vibes so hard that when I first heard the intro, I said out loud while alone in my car- Oh shit someone is gonna die by the end of this song. The song is about lead singer’s Kayla’s mother who has passed and how she always loved and supported Kayla no matter what. It is a deeply personal and incredibly beautiful song full of love and appreciation. It makes me feel things, like about half way through, Kayla mentions finding a lost voicemail from her mom then at the end it samples what I assume is a piece of the voicemail. I get all weepy every single time and think- this has to be what it feels like to have amazing parents. I’m not gonna lie, I’m a little jealous. The flute (or maybe its a clarinet) that plays through out the song really punctuates everything to solidify the beauty and sweetness of the song. A top notch addition even if it is an unexpected one.

    Good things come to those who wait. So, if like me, you’ve been waiting for a full release from Voluntary Hazing, you got everything you hoped for and more. If this is your introduction to Voluntary Hazing, you are in for a treat. You are getting an album that is a showcase of so much talent it’s absurd. It seems that when a literal platoon of band geeks get together, all they need is a little time to produce something truly magical.

    *Correction Issued: As originally published this article claimed that Voluntary Hazing was from Southern California. They are from San Jose. Which the author knew but for some reason thought that San Jose was in Southern California and not The Bay Area. Apologies to any trouble this may have caused anyone.

    This Review was original post on November 22, 2024 on the former LFDH substack.