Category: Album Review

  • If I Let It Quiet by Josaleigh Pollett

    If I Let It Quiet by Josaleigh Pollett

    Artist: Josaleigh Pollett

    Album: If I Let It Quiet

    Release: July 24, 2026; Audio Antihero

    Long distance partnership sounds like an impractical way to write and produce an album but Josaleigh Pollett and Jordan Watko have gotten it down to a science. Split between Salt Lake City, Utah and Osaka, Japan, If I Let It Quiet somehow provides a flowing exploration of gender, multiversal probability, and sleepless nights spent overthinking all wrapped in a cocoon of dreamy nostalgia despite the distance. Really, it’s what every fan of indie pop could ever wish for. I know, because I felt like this album was pulled straight from my frequent teenage bouts of daydreaming out of a rainy window, maladaptive style. 

    It helps, of course, that this is album number four for Josaleigh Pollett, but the evidence of doubt about the unconventional development of the album is there, particularly in the song “Second Guesser”. It’s a song for all the ruminators out there who have lost the person who could pull them out of their anxiety loops. Which, oddly, isn’t as devastating as it sounds. Like I said, the dreamy nostalgia of the music sort of lulls you into a taciturn existence of sorts. 

    The song that really stood out to me upon first listen was ‘Escape Routes’. Part of it was yet again the overthinker’s paradise of it all, but it had a sort of… optimistic element to it? To me, at least, but it is, of course, just a matter of perspective. There’s a sort of exhilaration when it comes to reckless leaping without a safety net. As the song says, “when you take out your escape routes, you must fight,” as if that isn’t the ultimate show of faith in your own abilities to get what you want. 

    In all, there’s a sort of frenetic energy about the album that leaves one jumping from one change to the next, one possibility to another, and the love and hope mainlined through it all. Which, I think, is the real appeal to this album. The hope for more and better. The hope of unburdened expression (gender or creative). Developing love for yourself and your creativity. Hell, even the acceptance and love of an unknowable universe. 

    Maybe that’s just me being a sucker. However, it’s been a while since an album that was so genuinely melancholic at its core invoked such a creative spark in me. What’s the point of all this overthinking and anxiety spirals if nothing changes, right? 

    Without bearing my soul too much here, I think at least one song from If I Let It Quiet would make it onto the playlist if my head was projected onto a movie screen. As for the song, I’ll keep that to myself. I’ve got to retain some element of mystery here.

  • Runway by Marc-Alan Prince

    Runway by Marc-Alan Prince

    Artist: Marc-Alan Prince 

    Album: Runway

    Release: May 5, 2026; Travel Well Records  

    To say that Marc-Alan Prince has been around the block is somewhat of an understatement. Hailing from Milwaukee, he has spent almost 2 decades touring the country, acoustic guitar in hand. He is a traveling man, if you will. His newest record, Runway, showcases that experience quite nicely. 

    The first two songs on this EP fall into a category I call outcast anthems. Track 1 “Runway” starts with some really punchy guitar that carries the song. This song is about feeling a lack of belonging and leaving town. The chorus is pretty hype. Marc-Alan’s raspy voice really delivers here and starts the album out on a good footing. “The Damned” is thematically very similar to the first track. I find myself wondering why they are right next to each other on the album. Just listen, y’all will get what I mean about outcast anthems. However, theming hardly matters when you taken into account the harmonica laid out on the track. Damn! I love it! Ultimately, I get why the song made the album. The harmonica alone sells the song for me; however, I am still left wondering why they are right next to each other in track order. It leaves me feeling a little overwhelmed with that particular theme. 

    The Devil And Me” is a song about self-doubt built from a childhood that made you feel less than, the struggle to come to terms with it and the desire to love yourself. Learning to love yourself is the only way to set yourself free. ‘If there is a hell, I’ve been there. The devil is me.” It is that line that illustrates the point of the song the best. Your in hell, but ultimately you are the only one holding yourself there. Change is hard, especially when it means dealing with life long trauma. I love the analogy. Marc-Alan’s vocal performance is wonderful. You feel the struggle through his vocals in a visceral way. This is by far my favorite song on the EP. 

    In “Fighting Man”, the harmonica is back and once again it is fabulous. I am honestly all in on the harmonica. The song is the perfect capstone. Ending an album that is about struggle and survival with a fight song is great. The fight song is performed in a nonchalant style instead of the typical high energy you get from most fight songs. You know the type. The kind of song that is upbeat and metaphorically screams—I have finally found what I needed to keep fighting. This song isn’t that. It instead, invokes a resolute feeling that says— Of course I am going to fight because that is what I have been doing this entire time. It’s so matter of fact; it’s deeply inspiring.

    Runaway is a nice inclusion to the folk punk lexicon. If you are a fan of the genre, this is an album for you check out. It’s punk, it’s Americana, and it’s timeless in a way that only folk can be.