Category: Album Review

  • I Was Shot Through The Heart by The Male Pattern

    I Was Shot Through The Heart by The Male Pattern

    Artist: The Male Pattern

    Album: I Was Shot Through The Heart

    Release: September 25, 2026; Audio Antihero

    Queens, New York based singer-songwriter, William Schwartz of The Male Pattern serves up a slice of modern day Americana. On paper, this release is everything I look for in an album. It’s satirical, story driven, often times humorous, AND it shines the light on a pattern of behavior often exhibited by some of the most toxic types of men. 

    The opening song “The Television Watcher” introduces the main character of this story, which I will from this point refer to as the ‘hero”— he certainly sees himself as a hero. A man fully content to live his life through the proxy of television. There is really no need for the “hero” to fix his life. He gets all the benefits of a well lived life vicariously through all his favorite television shows; the ups and the downs. Sometimes, rather than being brave enough to stand in the life you’ve made for yourself, it is easier to withdraw. This is a great set up for the type of guy the ‘hero” is– a coward. 

    “I’m a Soldier” has to be the most amusing song on the album. It further establishes the “hero” as a recently divorced dad. He often claims that he could have been a veteran through the song. It reminds me of a specific type of dude bro that likes to talk about how he would have joined the military if it weren’t for this or that flat excuse. He also compares arguing with people online to the Vietnam War. Bargain-box commandos in ill-fitting body armor springs to mind. Absolutely the best way to further distill the type of guy the ‘hero” is. The song ends with a list of menu items which is hilarious especially when given added context from the following track “Voicemail to Corporate”  

    Schwartz really goes out of his way to illustrate to listeners that the problems the “hero”, is having and will have are of his own creation. Let me assure you, the “hero’s” problems are numerous and compound exponentially as he continues through a downward spiral over the course of the album. That spiral eventually culminates in a shoot out with cops. Even as the “hero’s” life flashes before his eyes it becomes explicitly clear that he has learned nothing, excepts no responsibility, and is still very much a d-bag. 

    All in all I found the album to be an exceptional piece of storytelling. I, honestly, would expect nothing less from a seasoned English professor like Schwartz. Where the album falls off for me is in the music itself. It is slow and melodic but lacks any hooks that really grab me. That being said I think the album is worth a look. The story is fantastic and hell, I’m willing to admit that the music might be right up someone else’s alley.

  • If This Is Where It Got Us. What Good Is It? by Wow, Okay, Cool

    If This Is Where It Got Us. What Good Is It? by Wow, Okay, Cool

    Artist: Wow, Okay, Cool

    Album: If This Is Where It Got Us. What Good Is It?

    Release: September 04, 2026; Self Release

    For time immemorial, art and music have always been at the heart of protest. As fun as escapism is, there is nothing more important than being aware of what’s going on right now. Wow, Okay, Cool’s album “If This Is Where It Got Us, What Good Is It?” is just the tip of the Shit To Be Angry About iceberg. Maybe even just a crystalized raindrop on the tip of the tip. 

    Unabashed yelling and incredibly raw, ITIWIGU, WGII is a lesson in old-school punk. The unpolished realness is its selling point. There is definitely a sort of nostalgia to the DIY style that hasn’t been a staple mainstream punk music in at least a decade. No one just vents their frustrations into a microphone like they used to.

    Coming in as number one on my fave songs list is “Indie Industrial Sleaze Complex”. While I don’t have experience inside the indie music industry as an artist, I’ve seen some of the bands that built their fanbase on the idea of being poor and relatable and hating the rich only to get rich and gut music journalism within an inch of its life. Even amongst the fanbases, we have all encountered the person who cosplays poverty but falls into the comfort of their family’s money and privilege at the end of the festival weekend. Safe to say, this song touched a sore spot in me. It’s also weirdly catchy. 

    Khakis and boat shoes aside, “Harupex” being placed right after Indie Sleaze Industrial Complex, with its W.B. Yeats excerpt, is its own special brand of genius. At first, I didn’t get it. But wouldn’t leaving this fucked up circus be just another form of privilege that avoids the larger problem? Some of us are in it until the whole thing implodes. Willingly or not. 

    Tragic Symptom of being chronically online or intentional stroke of artistic genius, “Fuck, That’s Bleak” reminds me of either the infamous “Person. Woman. Man. Camera. TV.” cognitive test or the one R.E.M song. Either way, it’s like a fucked up word association game where every word connects to a government official. 

    Really I could go through each song on the album and tell you the ways in which it’s good. At that point, you should probably just listen to it and decide for yourself. Maybe it’ll get you thinking and getting angry as well. Or maybe you already are-

    Upset about literally everything going on in the world right now. Wow, Okay, Cool wants you to know that you’re not alone in that feeling. In a way it’s kind of inspiring. Anyone could channel their anger into any kind of art and that’s beautiful. 

    My two favorite things in the world are the word milquetoast and dunking on dipshit libs. Which means that this was a strong album right from the start as the first song is literally called “Milquetoast Libs (and the Fascists Who Love Them)”. As someone who loves playing Six Degrees of Fascism, people who play polite to keep the peace really fucking bug me.

    Punch Nazis and listen to Wow, Okay, Cool.