Category: Album Review

  • Wayne’s World/Almost Alive from Dustin’s Kitchen by Little Tiny Knife

    Wayne’s World/Almost Alive from Dustin’s Kitchen by Little Tiny Knife

    Album: Wayne’s World/ Almost Alive from Dustin’s Kitchen

    Artist: Little Tiny Knife 

    Released: July 31, 2025; Self Release 

    Little Tiny Knife is a band from the Sacramento area. They were founded by Josiah Masteller and include members such as Jim Soltero and Brianna Carmel. You may remember them from their solo work being featured on the blog last year. This will be their first full album release, having only a single and a feature released prior.

    Their album, “Wayne’s World/Almost Alive from Dustin’s Kitchen” represents a departure from Little Tiny knife’s perviously released work, which focused on delivering a chiptune accompaniment along side folkesque vocals. With this album, what they do deliver is a solid indie folk offering with a punk infused ethos. Probably the best display of this ethos is found in the song “Roll up Your Sleeves”. It is a melody driven ballad about making the world better by standing up to oppressors through actions like punching Nazis. This is the track that really sold me on the album. I was like, “damn, y’all I’m really digging your game”. This is my favorite song, hands down.

    Spaceman” has pretty somber subject matter dealing with domestic abuse from the P.O.V. of someone struggling with the aftermath from outside the immediate relationship. Honestly, I was initially perplexed by the spaceman analogy and assumed that it was a reference for a specific person or an inside “joke” but the more I thought about it, the more I am convinced it’s a reference to the 1950’s sitcom the Honeymooners. The blow hard main character infamously used space travel as a threatening metaphor for domestic abuse. While the core message of the song is definitely stark, the song still manages to have a catchy rhythm in parts and has a great vocal delivery.

    The last song I want to draw attention to is “Tired of Driving”. This is because this particular song is a revision of a single they released in 2023 that originally came with a chiptune treatment. The new song is more mellow and the chiptune has been replaced with acoustic melodies, tambourine and a bass line provided by Jim Soltero on the up right bass that I would go as far as to say slaps. While I love me a good chiptune, I would willingly trade it for the up right base lines that are laced throughout not only this song, but the album. It is hard to deny that this version really brings it in every way that maters.  

    Despite “Wayne’s World/Almost Alive From Dustin’s Kitchen” being Little Tiny Knife’s first album, it presents a depth and maturity that you can only get from veterans of their local scene. The Little Tiny Knife Discography just leveled up, big time. Fans of folk should give it a listen or also if you are a fan of the kazoo. Yes, they’ve got a kazoo, some people are just cool like that.

    If you like the album I reviewed here and want to support the artist as well as this blog please consider picking up the album via this affiliate link—-> Purchase Wayne’s World/Almost Alive from Dustin’s Kitchen via Amazon Music

  • 5.0: (king)Ichabod by Leave Nelson B

    5.0: (king)Ichabod by Leave Nelson B

    Album: 5.0: (king) Ichabod

    Artist: Leave Nelson B

    Released: July 25, 2025; Lonely Ghost Records

    I was first introduced to Leave Nelson B via his collaboration on the album “Nelson Comes To Visit”. If you were fallowing the blog at the end of last year, you know that I am a huge fan of that particular album. When I learned that Leave Nelson B was dropping a new album I was very keen to give it a listen. My reasoning was two fold: First, I couldn’t imagine a world where this new album wasn’t good. Second, I kind of wanted to see what Leave Nelson B is like outside of a Superdestroyer collaboration. I know what you are thinking, Leave Nelson B has a pretty well established discography of something like 6 albums, you could have been listening to those this entire time. I won’t confirm nor deny if I have listened to his other stuff because that really ruins the bit I have chosen to lean into for this intro.

    The album starts off with the track “Take Off Day (The Merrier ‘Milk Drinker’)”. It’s a one minute bop. The vocals are smooth and the cheering that accompanies the track kind of makes you feel like you are watching a stage show. It’s a great addition to the song. The track as a whole is literally something you can set to infinitely repeat and easily get lost in for hours. It’s that mesmerizing.

    I also want to give a shout out to Abskull who is the featured vocalist on “Antipode Ego”. The rapping that Abskull provides really helps break up the album which, up until this track, has been more about crafting vibes rather than focusing on delivering a ‘traditional’ vocal performance. You get a little taste just enough to want more, then we are off to the next track. It’s enticing.

    The rest of the album pretty much matches the first track’s game. The songs are short and sweet. I know I have said this before of stuff that Leave Nelson B has worked on, but god damn the atmosphere that his music crafts is uncanny. I really can’t gush over this fact enough. This is straight up put it on and just vibe music. It is something I never really thought I needed in my life but recently I have just really come to respect and enjoy it.

    “5.0: (king) Ichabod” is a must listen to for Electronica fans but really anyone if you ask me. It’s 12 minutes of absolute vibes and atmosphere. If you ever just need to lock in and get some low intensity stuff done this is the album to put on. Lo-fi beats to study to- more like Leave Nelson B to study to.

    If you like the album I reviewed here and want to support the artist as well as this blog please consider picking up the album via this affiliate link—> Purchase 5.0:(king) Ichabod by Leave Nelson B digitally via Amazon Music