Tag: Pop

  • Friends in Real Life by Friends in Real Life

    Friends in Real Life by Friends in Real Life

    Album: Friends in Real Life

    Artist: Friends in Real Life

    Released: February 21, 2025; Low Capacity Music

    Friends in Real Life, the Band is really a family affair featuring seemingly fresh out of retirement folk punk “legend” Patrick “Pat the Bunny” Schneeweis, Micheal Schneeweis is a huge player in the DIY music scene in his own right, and also features their father Charlie Schneeweis. The album Friends in Real Life is billed as junky pop/folk music and that description I think is a fair one. It provides the the same earnest-heartfelt vibes that fans of Pat would expect, but also a maturity in sound, production, and tone that is refreshing.

    The first track on the album is “You are the Ocean” and I feel that it really does a great job setting the tone for the entire album. It offers rather chill vibes and a smooth sound for essentially being about dealing with lose. The imagery provided by the lyrics, I feel, are rather beautiful. The first line is “I’ve been singing sad songs again” and than continues with a surfing metaphor that implies that eventually all that sadness and grief from the songs you’ve been singing can be dissolved in the ocean. The the song moves to a similar metaphor this time its skating and rage resentment and how you need to bury those things to properly move on. At the end to each metaphor there are notable lines. For the first line it’s: “You are the ocean, my friend” and the second line it’s: “I’ll be the dirt, my friend”. This further ties these two metaphors together in a way that says, you can’t get through this without friends and support. Last it poses the question, “How do we move on?” and answers it by the suggestion that we should try making things that pay homage to what and who we have lost. It is a great song crammed full of more symbolism and wisdom that has any right to exist in the confines of a minute and 20 second long song. AND that trumpet. I have always considered myself a horn dog so its not hard to buy my praise with a little brass but damn that trumpet picking up in the mid point of the song firmly separating the sorrowful first half and guiding you into the more hopeful conclusion, just hits. Purely inspired.

    Advice” is perhaps my first real introduction to Micheal Schneeweis. I have had really great people suggest his work to me and for the most part I am ashamed to admit that other than briefly listening to a track or two of his older stuff I never got around to it. I really like the tongue and cheek delivery and message of this song. Changing yourself is indeed a struggle but it is never too late to start.

    Retirement Plans” is absolutely my favorite track on the album. It’s talks about how life rarely works out the way people want and that sometimes the things you love sometimes aren’t actually good for you so it’s best to just let them go. I look at it like a autobiographical explanation of what, at least in part, brought Pat back out of retirement and also hopefully a mission statement for the rest of his music career. The drum machine and synth are definitely the stand out musical components in this song. The way the synth comes in through out the song as each verse ends as if you are punctuating each turn of happenstance as the story progresses. I like it. It’s neat. This is an aside to the record, but since Pat brings it up in this song, I will just say that I personally would love to just have a chat about computers and tech with Pat, but I’m that specific kind of weird little nerd so I will leave it at that.

    Friends in Real Life is a record myself, and I assume most fans of Pat, have hoped for, but certainly never expected to happen. Now that it has happened, I can honestly say I couldn’t be happier. I have always felt that the majority of Pat’s music was him struggling to force himself to be the type of person he really wanted to be. It is nice to see that this album is more about accepting yourself for who you are and life for how it is in the moment while striving for better. This is a very welcomed addition to Pat’s discography and for me at least a great introduction to Micheal as well. It is a must check out for any fans of the Schneeweises or people who just like folk inspired indie music with some synth bits thrown in for good fun.

    This Review was originally posted on July 04, 2025 on the former LFDH substack.

  • Nelson Comes To Visit by SuperDestroyer//Leave Nelson B

    Nelson Comes To Visit by SuperDestroyer//Leave Nelson B

    Album: Nelson Comes To Visit

    Artist: Superdestroyer//Leave Nelson B

    Released: August 23, 2024; Lonely Ghost Records

    I am going to be honest with you all. This is not a review I planned to write. Life is funny like that and sometimes, unexpected things happen when you least expect it. That is exactly what happened a couple weeks ago when a promotion post came across my socials making a joke about Hall and Oats if Hall was cool. That joke was enough to get me to check out the album. The album of course was “Nelson Comes To Visit” by Surrealist punk act, Superdestroyer and Leave Nelson B. Ever since then, I have been low key obsessed….. no wait I suppose now that I am publicly writing about it the obsession has leveled up to high key. I am not really writing this review because I want too; I am doing it because I desperately need to talk about this album with someone, and my friends and family have stopped returning my texts and phone calls.

    The thing that makes this album special is its big picture take on it’s sound, theme, and aesthetics. Everything from the music, art, and in the case of the special release, “green hill” variant even physical product work together to invoke a sense of nostalgia that almost transcends reality. “Nelson Comes to Visit” is an album that must be experienced as a whole package. I’m not just talking about a beginning to end listening session, though you definitely should do that. Each track comes with an unique piece of art that is reminiscent of early 90s JRPGs. This art really helps set the mood for the track and helps tell the story. This makes listening to the album on Soundcloud the optimal digital experience in my opinion, since each track is set to showcase the corresponding art. Something I assume Spotify can’t do. Of course, the absolute best whole package experience is the physical “green hill” variant that is a mock up of a SEGA cartridge and comes complete with an art and lyrics book. It is honestly something that is profoundly cool. So if you have a chance to pick one up, you should.

    It is quite hard to pick a selection of songs to talk about as they all are super cool, but alas that is a task I’ve given myself, so I will start with the first song on the album. “Start Screen” does a great job setting up the vibes and expectations. Like the rest of the album, it is a chiptune synthy bop with a great beat. It is the definition of what it says it is on the tin; 34 seconds that gets you jazzed up and excited for the adventure you are about to partake in.

    My favorite song on the album is “Snow” a song that crafts atmosphere as if it were trying to terraform Mars. The synth melody and the whirl sounds that opens the track all coalesce into making you feel encapsulated in a snow storm. The lyrics speak of falling in love and really pull together a metaphor of being encapsulated in love much is like a snow storm. It’s a feeling of eerily peacefulness with a hint of danger.

    There is as a pretty cool guitar bit in “Halloween City” that I think bares mentioning. The music is up beat and there is an effect used throughout that I’m not sure what it actually is but it reminds me of a duck and it’s pretty cool. The message of the song is also great and is about finding a person that sees you for who you actually are despite the ‘mask” you wear and more importantly they have always accepted you for your real you.

    Nelson Comes to Visit is such a unique and innovative take on electronic music and 90s nostalgia that it is hard not to stand mouth agape in awe while listening. It is a true magnum opus in how it executes its music, themes, and aesthetics. I bet that Superdestroyer continues to deliver amazing music, but it is honestly hard for me to imagine something this cool happening more than once in my lifetime. Anyway, thanks for indulging me, I’m off to fire up my Switch and play Earthbound while listening this album at max volume.

    This Review was originally posted on December 06, 2024 on the former LFDH substack.