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Tag: Electronica

  • We Emit A Visible Light That Vanishes When We Die by Nelson Comes To Visit

    We Emit A Visible Light That Vanishes When We Die by Nelson Comes To Visit

    Artist: Nelson Comes To Visit (Superdestroyer//Leave Nelson B)

    Album: We Emit A Visible Light That Vanishes When We Die

    Release: September 4, 2026; Lonely Ghost Records 

    The Nelson Comes To Visit series is a collaboration between artists Superdestroyer and Leave Nelson B that has become a yearly tradition around these parts. If you’re fan of the blog this duo certainly doesn’t need another introduction, so I am going to jump right in. 

    The first thing I notice about the album over all is it is darker and more angry than the pervious NCTV releases. A few songs make use of deep throated screaming that I wasn’t initial expecting but over all makes complete sense given the subject matter found in those songs. The state the of the world makes me that angry too fam. I get it. However, amongst the anger and dystopia presented in the album there are songs that illustrate that even when things are bleak, hope can be found. 

    The album starts off heavy with the dystopia in the song “When Confronted With A Life Of Fruitless Toil The Robot Chose To End It”. The name alone puts me in my feels all by itself. The song is about how the American dream is a lie sold to the masses to keep the common folk in line. It also shares a few facts to help support its second point– Billionaires shouldn’t exist. Then, as if its the cherry on top or the final drop of the hammer, the song end with a clip of a news report to let listeners know that the ultra rich are preparing for the end of the world. Are you? 

    Next, the album shares a moment of hope with the song “Martial Bliss”. There is hope in finding your person among the terrors of the world. This song shares exactly that sentiment albeit is a somewhat macabre way. I have a dark sense of humor so I found it endearing and sweet. One of the last lyrics in the song is “So long as you’re alive, the world is worth saving.” Initially, I thought this line was a call to action to carry the listener into the rest of the album, an attempt to assure them things will get better. However, I read the lyrics sheet and there are 2 words that almost get lost in the music that really changes the context. “To me” This is an affirmation of love. It literally melts my heart y’all. 

    The rest of the album continues like this laying out the stark, often dark reality of how things are. Sprinkling little bits of hope here and there to keep listeners going or perhaps even inspire you. The first few lines of “Mason Family Christmas Card” is one of those moments of hopeful inspiration. The call to action at the end of the song makes it clear that it is, indeed, supposed to be taken that way. 

    My favorite song on the album is another moment of hope. “We’ll See Each Other In This Moment For Eternity” the song describes an Antifascist protest. Ending the song with a protest chant is inspired. There isn’t really much else to say about the song its fairly straight forward. More of this in the world please! 

    The album ends with a song called “United States of Israel”. It is a song about the genocide in Palestine. While the song didn’t make my favorite song pick, it contains what I think is the most effective line on the entire album. Its repeated at the very end of the song. In my mind it carries the same weight and gravity of the final lines in the 1983 anti-cold war anthem “99 Red Balloons”. The perfect end to an album about the troubles facing the world today. I don’t know if this is going to make sense to anyone, but much like the end of 99 Red Balloons, in spite of the despair inherent in the scene it paints, I still can’t help but find the line hopeful. After all, nothing manufactured lasts forever and gardens, if left alone long enough, will always grow anew.  

    “We manufactured hell where a garden once grew.”  

  • If I Let It Quiet by Josaleigh Pollett

    If I Let It Quiet by Josaleigh Pollett

    Artist: Josaleigh Pollett

    Album: If I Let It Quiet

    Release: July 24, 2026; Audio Antihero

    Long distance partnership sounds like an impractical way to write and produce an album but Josaleigh Pollett and Jordan Watko have gotten it down to a science. Split between Salt Lake City, Utah and Osaka, Japan, If I Let It Quiet somehow provides a flowing exploration of gender, multiversal probability, and sleepless nights spent overthinking all wrapped in a cocoon of dreamy nostalgia despite the distance. Really, it’s what every fan of indie pop could ever wish for. I know, because I felt like this album was pulled straight from my frequent teenage bouts of daydreaming out of a rainy window, maladaptive style. 

    It helps, of course, that this is album number four for Josaleigh Pollett, but the evidence of doubt about the unconventional development of the album is there, particularly in the song “Second Guesser”. It’s a song for all the ruminators out there who have lost the person who could pull them out of their anxiety loops. Which, oddly, isn’t as devastating as it sounds. Like I said, the dreamy nostalgia of the music sort of lulls you into a taciturn existence of sorts. 

    The song that really stood out to me upon first listen was ‘Escape Routes’. Part of it was yet again the overthinker’s paradise of it all, but it had a sort of… optimistic element to it? To me, at least, but it is, of course, just a matter of perspective. There’s a sort of exhilaration when it comes to reckless leaping without a safety net. As the song says, “when you take out your escape routes, you must fight,” as if that isn’t the ultimate show of faith in your own abilities to get what you want. 

    In all, there’s a sort of frenetic energy about the album that leaves one jumping from one change to the next, one possibility to another, and the love and hope mainlined through it all. Which, I think, is the real appeal to this album. The hope for more and better. The hope of unburdened expression (gender or creative). Developing love for yourself and your creativity. Hell, even the acceptance and love of an unknowable universe. 

    Maybe that’s just me being a sucker. However, it’s been a while since an album that was so genuinely melancholic at its core invoked such a creative spark in me. What’s the point of all this overthinking and anxiety spirals if nothing changes, right? 

    Without bearing my soul too much here, I think at least one song from If I Let It Quiet would make it onto the playlist if my head was projected onto a movie screen. As for the song, I’ll keep that to myself. I’ve got to retain some element of mystery here.